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16 Days of Activism – Day 10: Hugh Pyper

Our interview to mark the Day 10 of the 16 Days of Activism is from Hugh Pyper, Professor of Biblical Interpretation at the University of Sheffield.

Tell us about yourself…who are you and what do you do?

 I am Professor of Biblical Interpretation at Sheffield University, where I have worked for the last 14 years.  My interests are varied but I am always intrigued by how biblical language and ways of thought continue to influence contemporary debates, often without the awareness of those involved.  The way in which children’s encounters with the Bible shape their adult perceptions, again often unconsciously, is a case in point, but the wider cultural legacy of the Bible is all-pervasive.

What’s your involvement with The Shiloh Project?

Biblical Studies staff at Sheffield have for decades been among the pioneers in researching the impact of these texts on questions of gender and ideology.  Even if I had not had an interest in these matters, I could not have been unaffected by the work of so many brave colleagues over the years at Sheffield and beyond.  My own experience growing up gay in the late 1960s and 70s makes me aware both of what has been achieved in the face of violent pressure to conform to cultural expectations of gender roles and of how much more needs to be done.

The models of masculinity and femininity which are often labelled ‘biblical’ are damaging to women, to men and to those who cannot accept such binary categories for themselves.  The Shiloh Project is a timely enterprise in exposing just how damaging these models can be and, more positively, in exploring the cultural resources within religious traditions that might help us to imagine ourselves and our relationships differently.

How does The Shiloh Project relate to your work?

 I have a particular interest in how the structures of patriarchy in the Bible are predicated on the fragility of male identities and the anxiety that underlies masculinity in such a system.  Violence and discrimination are rooted in fear and the Bible gives us much food for thought on how the oppression of women and gender minorities relates to the insecurity of men who feel obliged to embody the impossible demands of acting as a patriarch.

My own recent work has looked at the way in which conventional readings of male figures in the Bible tend to be complicit with the text’s strategies of deflecting attention from the anxiety of masculinity.  Reading with different assumptions about gender roles can both expose and perhaps alleviate the anxious responses that give rise to violent suppression of the threat supposedly posed by femininity and effeminacy.

How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today? 

 First, it is important to lay bare how the Bible has been and can be used to endorse the attitudes that lead to a culture of rape.  Secondly, however, alternative readings of the Bible can model potentially more positive understandings of gender and sexuality that can counter and contain such violence.

What’s next for your work with The Shiloh Project?

I want to continue my project of reading biblical texts about men and their relationships against the grain.  Notoriously, Jane Austen begins Pride and Prejudice with the claim ‘It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.’  Nowadays, that might not be so universally accepted; indeed, Austen was quite clever enough a satirist to know herself that a truth universally acknowledged is not necessarily universally true.  Yet even though many contemporary readers might agree that there may be single men in possession of good fortune whose aspirations are rather different, there is still a heteronormative default position when we read.  ‘Boy meets girl’ continues to be a norm.  Reading about a character, we expect and usually find that the writer introduces various potential partners of the opposite sex and that part at least of the story will revolve around the outcome of those attachments.  We look out for those encounters and expect to be induced to speculate on them.

It is an intriguing experiment, then, to try to read biblical stories homonormatively rather than heteronormatively or, in other words, to look for the possible implications of incidents where ‘boy meets boy’ and ‘girl meets girl’ in the story, although these terms themselves need to be critiqued.  What transpires is that biblical texts are often less anxious about such relationships than later readers have assumed them to be and are thus less staunch allies for contemporary manifestations of patriarchy than those who rely on them would like.  Looking at these relationships can also remind us that men too can be the victims of a culture which relies on violence to police its gendered norms.  Pointing this out may contribute something to challenging the fears that underlie a culture of rape.  Look out for some provocative takes on Joseph and Daniel, among others!

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16 Days of Activism – Day 8: Claire Cunnington

To mark Day 8 of the 16 Days of Activism our interview is from Claire Cunnington, PhD student at the University of Sheffield.
Tell us about yourself…who are you and what do you do?
I’m a Wellcome Trust funded PhD student at the University of Sheffield, researching what helps or hinders adults recovering from childhood sexual abuse.
What’s your involvement with The Shiloh Project?
I’m a member of The Shiloh Project.
How does The Shiloh Project relate to your work?
I’m researching the way in which the dominant discourse around rape and abuse affects a victim’s ability to recover. Religion, particularly Christianity in the UK, has influenced this discourse. The Shiloh Project’s discussion of rape culture and the Bible is examining the wider context and my research is, in part, examining the impact.
How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today? 
By highlighting and questioning the origins of victim-blaming.
What’s next for your work with The Shiloh Project?
I am currently running a qualitative survey on recovery for adult survivors, which looks at what helps and hinders recovery. The survey can be found here: http://bit.ly/recoveringcsaThis includes a question about religion and spirituality. I aim to produce a paper discussing the influence of religion on recovery for adults who have experienced childhood sexual abuse.
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16 Days of Activism – Day 7: Mmapula D. Kebaneilwe

Today is World Aids Day and our gender activist on Day 7 of 16 Days of Activism is Dr Mmapula Kebaneilwe, Senior Lecturer in Hebrew and Hebrew Bible at the University of Botswana. Botswana has one of the highest rates of HIV and Aids in the world. Botswana is also a country with a strong national commitment in responding to this health crisis: notably, being the first country in the region to provide universal free antiretroviral treatment to people living with HIV.

Mmapula is a womanist activist and has published on how the Bible can offer paradigms for women’s resistance in the face of vulnerability to HIV infection and to Aids. Here is her article on the character of Vashti from the book of Esther.

Tell us about yourself: who are you and what do you do?

 I am Dr Mmapula Diana Kebaneilwe, Senior Lecturer in Hebrew and Old Testament Studies in the Department of Theology and Religious Studies at the University of Botswana. I am a womanist scholar and my research and activist interests centre on women’s rights and experiences.

What’s your involvement with gender activism? Does your work intersect with gender activism? How?

 I am involved in gender activism through my research and publications. I have keen interest in all issues that involve the welfare of women and girls in my society. My PhD thesis was on the Woman of Courage in Proverbs 31 and I read this poem for and within the patriarchal culture of Botswana, which has seen women suffocate in many ways. My conclusion is that men and women are created equal but that there remains an urgent need to reflect this equality – especially in our Botswana culture(s) that have long mistreated and that continue to relegate women and girls to the margins, to everyone’s detriment.  My research has shown that in my context women and girls continue to experience multiple ills that are perpetuated by gender inequality. As part of this, our women and girls experience horrendous acts of gender-based violence – such as rape and murder – which are so rampant in Botswana.

How does or could The Shiloh Project relate to your work and activism?

 I believe that The Shiloh Project will create a platform, which will allow me to carry forward my research on the issues mentioned above. As a scholar of the Bible the project will allow me to explore further, through research on gender issues, the ways in which rape culture and religion intersect in my own context. I hope to be able to get involved in my communities here in Botswana and to find out about the ways rape culture manifests and how religion both contributes to rape culture and how indeed religion might also be used to curb it.

The issue of rape culture in Botswana is one that causes me considerable concern as women and girls get beaten, raped and killed (predominantly by male perpetrators) every single day. I hope with The Shiloh Project I will have the chance to do more and to contribute to effective changes in gender policy in Botswana.

How are you going to get active to resist gender-based violence and inequality?

 I am going to get active to resist gender-based violence by doing further research on the issue and disseminating the findings of my research, so as to reach the wider community. I intend to work closely with communities in order to learn more from real people’s lived experiences of gender-based violence and also to explore critically laws and policies on the same. My aim is to be able to influence policy makers to better the lives of primarily Botswana women and girls through creating legal channels aimed at the protection of our female population. At present such polies seem lax.

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16 Days of Activism – Day 6: Emma Nagouse

On Day 6 of the 16 Days of Activism Against Gender-based Violence campaign, we speak to Emma Nagouse, PhD student in the Sheffield Institute for Interdisciplinary Biblical Studies (SIIBS).

Tell us about yourself…who are you and what do you do?

I’m Emma Nagouse and I am a PhD candidate in SIIBS (supervised by Katie Edwards and Johanna Stiebert) where I research the Bible and rape culture. I’m involved in local feminist activism, particularly as co-organiser of the Sheffield Feminist Archive and a Branch Officer for Sheffield UCU. Before joining SIIBS I worked in HE and studied Archaeology where I specialised in the archaeology of religious violence.

What’s your involvement with The Shiloh Project?

I have been a member of The Shiloh Project since its inception at a research day in Leeds and I am a contributor to The Shiloh Project blog.

How does The Shiloh Project relate to your work?

My research focuses on how biblical and contemporary intersectional gender presentation (with a focus on class identity) facilitates rape and disbelief culture through reaffirming oppressive stereotypes and informing perceptions of rape gradations. I am focusing on the rapes of Dinah, Bathsheba and Tamar.

I have also authored a chapter for an upcoming volume on religion and rape culture edited by Katie Edwards, Caroline Blyth and Emily Colgan. In this piece of work I read Lamentations 3 alongside the best-selling novel and widely acclaimed TV series Outlander to suggest that the Man’s suffering in Lamentations 3 can be read as an expression of the trauma of rape. A (very) abbreviated version of this chapter can be found here.

I returned to University as a PGR student after working in various professional roles in HE. I was particularly influenced by my time working for Sheffield’s Widening Participation Research and Evaluation team – a task that really impacted me was working on a literature review about the experiences of care leavers in HE. I was deeply moved and troubled by what I read and, coupled with roles working for Sheffield Students’ Union, trade unions and the Sheffield Feminist Archive, I knew that if I was to return to HE as a student researcher, it would also be as an activist.

I feel very privileged to be able to focus my working life on interrogating rape culture, which I believe to be one of the most urgent and insidious social justice and public health issues facing contemporary society.

How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today?

The work of the Shiloh Project has much to add to wider scholarship around rape culture, particularly in terms of interrogating underpinning values which provide a scaffold to normalised misogyny. After all, biblical motifs are still regularly appealed to in public discussions around sex, gender and, inevitably, sexual violence. Whether we’re talking about Mary’s virgin birth, the temptation of Eve, Jezebels…

What is particularly exciting about this project, as mentioned by Katie in a previous post, is the breadth of expertise involved from both faith, non-faith, and international perspectives.

What’s next for your work with The Shiloh Project?

As the news cycle is constantly exploding with reports on sexual violence I’m pretty sure that this will be a very busy year for The Shiloh Project. I am currently very interested in the phenomenon of revenge porn (particularly after the experiences of Blac Chyna made waves online) and how this relates to wider rape culture – I’m working on a piece of research exploring revenge porn alongside enforced bodily exposure in the prophetic texts.

I’m also applying for funding for a project with the feminist poetry collective Verse Matters and an artist from the University of Brighton for a collaborative project creating poems and a piece of sculpture relating to abused biblical women. I took great inspiration from Caroline Blyth’s research on the silencing of raped women and a talk by Cheryl Exum on the potential of art to grant access to the perspectives of biblical women.

Of course, immersing yourself in this kind of research can be quite challenging – beginning to come to terms with the sheer scope of the problem and being given an insight into the experiences of those who have suffered dreadful abuses can be (at least for me) dizzyingly infuriating, painful and emotionally draining. It can also cause you to reevaluate experiences in your own life. For this reason, I’ve collaborated with wonderful colleagues in Research Services (Dr Kay Guccione and Sarah Bell) to set up a network for researchers who engage in traumatic or sensitive topics.

Having said that, I’ve previously spent a lot of my time as a student not feeling like I had much (or any) capacity to work towards change in areas which were important to me. Undertaking this work alongside such inspiring scholars and activists is truly galvanising.

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16 Days of Activism – Day 5: Zanne Domoney-Lyttle

We speak to Zanne Domoney-Lyttle to mark Day 5 of the 16 Days of Activism.
Tell us about yourself…who are you and what do you do?
I’m Zanne Domoney-Lyttle, and I am a Biblical Studies tutor (Hebrew Bible and Biblical Hebrew language) at the University of Glasgow.
What’s your involvement with The Shiloh Project?
Other than admiring the work of The Shiloh Project from afar, I am a member of the Project, contributing to the blog posts. I hope to become more involved as the Project develops.
How does The Shiloh Project relate to your work?
My PhD research focuses on remediations of Genesis in comic books. One of the things that kept coming to the fore throughout my research was the representation of women in the text, especially in relation to motherhood and the use and abuse of women’s bodies as ways of fulfilling the expectations/needs of the patriarchs. Since submitting my thesis, my work has moved away from looking into the text, and towards looking at how reading these problematic texts of the use and abuse of women’s bodies shapes and informs our attitudes towards women and – on a larger scale – gender, today.
 My next research project is concerned with appropriation and reappropriation of the Hebrew Bible in marginalised communities – ways that we can read the text which either give a voice to, or which further silence women in subcultural “underground” communities like punks, underground comix and graffiti art, for example.
 The Shiloh Project is already highlighting work done in these fields – but more than that, it is a community which encourages and explores the problem of rape culture and religion from new perspectives too. It is an important resource to me, not just in terms of finding out information, but in connecting me to other people who can help shape and define what I’m interested in. In the world of academia, and especially in something like Biblical Studies which is traditionally white, male and class-driven, it’s exciting to see such relevant work being done by people of colour, women, feminists and so on.
How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today? 
There are many ways The Shiloh Project adds to discussions about gender activism, many of which I’ve highlighted above – the building of communities which challenge traditional discourse in this area, the encouragement that there are other people who feel like I do. Most importantly for me though, is that the existence of the Project is a space to challenge assumptions and ignorance. For example, the Bible is often used to authorise or legitimise certain behaviours, mostly because people are happy to pick and choose bits of biblical text to support an idea without looking at the wider context or implications both within the text itself, and as a result of reading the text. Challenging these assumptions or even encouraging different interpretations of the Bible is so important – now more than ever – and for me, I have the space to do this within the scope of The Shiloh Project.
What’s next for your work with The Shiloh Project?
I have a few more ideas in mind in terms of contributing blog posts to the Project over the next year, and I’m really looking forward to meeting other members in April 2018, where I can learn more about what the project wants to achieve and how I can fit into those aims. Most of all though, I’m going to continue admiring it from afar and sharing the work that the Project has been doing with as many people as I can.
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16 Days of Activism – Day 5: Katherine Southwood

To mark the fifth day of the 16 Days of Activism Against Gender-based Violence, we talk to Katherine Southwood, Associate Professor in Old Testament at the University of Oxford.

Tell us about yourself…who are you and what do you do?

I am Associate Professor in Old Testament, Faculty of Theology, University of Oxford and Fellow and Tutor in Theology and Religion, St John’s College, Oxford.   I am interested in approaches to the Hebrew Bible/Old Testament which draw on other fields of research, particularly social anthropology. I have worked specifically on marriage, with my first monograph on Ezra (Ethnicity and the Mixed Marriage Crisis in Ezra 9-10: An Anthropological Approach 2012). 
 
What’s your involvement with The Shiloh Project?
I am a member of the Project; I will be contributing to the blog page in the future and have also contributed by finding existing material for the blog (search for the piece on ‘Susanna and the Elders’). 
 
How does The Shiloh Project relate to your work?
The Shiloh project takes its name from Judges 21, a difficult narrative which describes advice given to the Benjaminite tribe to obtain wives through the sudden capture of women who dance at Shiloh. My second monograph was on this chapter (Marriage by Capture in the Book of Judges: An Anthropological Approach 2017). The monograph argues that Judges 21 is the only example in the Hebrew Bible/Old Testament of marriage by capture and explores the reasons why marriage by capture occurs in some parts of the world today. I also have a co-edited volume with Martien Halvorson-Taylor just out entitled Women and Exilic Identity in the Hebrew Bible which relates to some of the priorities of the Shiloh Project. 
 
How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today? 
By highlighting the long cultural and social shadow behind present-day gendered violence and rape. Especially relevant to this discussion is the representation of women in parts of the Hebrew Bible/Old Testament.  
 
What’s next for your work with The Shiloh Project?

I am glad to participate in this very worthy project and am hoping to become more involved in the work of the team!

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16 Days of Activism – Day 3: Caroline Blyth

Our third interview to mark the UN’s 16 Days of Activism against Gender Based Violence is from co-director Caroline Blyth, senior lecturer in Religious Studies at the University of Auckland.

Tell us about yourself…who are you and what do you do?

I’m a lecturer in Religious Studies at the University of Auckland, and also participate in the Gender Studies programme there too. My teaching reflects my research to a great extent, and I focus on religion in popular culture, with a particular interest in issues of religion, gender and sexuality – how do religious communities and traditions impact socio-cultural perceptions of gender and sexuality? I also co-organize a student engagement project in the Faculty of Arts, which is called Hidden Perspectives: Bringing the Arts Out of the Closet. It’s a project inspired by the original Hidden Perspectives project developed by the fabulous folks at Sheffield Institute for Interdisciplinary Biblical Studies at the University of Sheffield. With Hidden Perspectives Auckland, we have created an inclusive academic and social community for queer students at the University, where they can get involved in queering the Arts and making their voices heard.

What’s your involvement with The Shiloh Project?

As Katie and Johanna have explained in their own interviews, the Shiloh Project is something Katie and I had spoken about starting quite a while ago, but we were able to push ideas into practice when we met up with the indomitable Johanna and some other wonderful colleagues (Emma Nagouse, Valerie Hobbs, and Jessica Keady) last year at a meeting in Leeds. So along with Katie and Johanna, I help run the Shiloh Project, and I couldn’t be prouder to be part of such an important project, or to work with such wonderful colleagues.

How does The Shiloh Project relate to your work?

A lot of my work to date has focused on gender violence in sacred texts, particularly the ways that biblical depictions of gender violence can echo the still very prevalent myths and misperceptions around gender violence that sustain contemporary rape cultures. When I started my PhD thesis on the rape of Dinah (Genesis 34) back in 2005, I fully expected to be discussing the ways that social attitudes towards sexual violence had ‘moved on’ and become far more informed compared to biblical discourses of rape. But alas, I soon discovered this was not the case. And what frustrates me is that so many of the biblical traditions that do present really problematic ideologies around gender and gender violence are either ignored or excused by both religious communities and academic biblical scholars – as though their ‘sacred’ status rendered them beyond our critique. But, given how powerful the Bible remains as a religious and cultural text in global contemporary cultures, its problematic texts and traditions (which appear to endorse rape-supportive ideologies) urgently need to be addressed and discussed in both academic and wider public forums. Because these texts do still play a role in the world today, shaping popular perceptions about gender violence and granting validity to some really damaging discourses around rape and rape culture.

How do you think The Shiloh Project’s work on religion and rape culture can add to discussions about gender activism today? 

I think that a massive strength of the Shiloh Project is that it rescues religious studies and biblical studies from the confines of the academy and offers academics, students, and interested members of the public an accessible (but still academically-rigorous) platform to talk openly and engagingly about a topic that remains so taboo. It’s not doing work that only a handful of like-minded academics can understand, but is really motivated to widening the discussion and fostering a sense of community and activism in which people both inside and outside the academy can participate. I think this is both vital for the future health of religious studies as an academic discipline, but also crucial to every academic’s role as critic and conscience of society and their responsibility is to make a difference – in my case, by tackling gender violence and encouraging activism that will make the world a safer and more inclusive place.

What’s next for your work with The Shiloh Project?

I have two future projects in mind at the moment. I’m hoping to work with my colleague in Auckland, Emily Colgan (a fellow Project Shiloh member), on the problematic depictions of gender roles and relationships in conservative Christian literature, particularly ‘self-help’ literature and fiction. This is an incredibly popular and prolific genre, and what I’ve come across has fascinated (and appalled) me as to its re-inscription of traditional gender roles, as well as its perpetuation of some very common rape-supportive discourses.

I’m also currently focusing on a slightly different strand of gender violence, and that is the symbolic and structural violence of transphobia sustained by religious rhetoric (particularly conservative Christian rhetoric). There’s been a huge flurry of concern among conservative Christian communities around, what they term, the ‘transgender debate’. To my mind, this ‘debate’ essentially denies the existence of authentic trans identities and works to exclude trans people from the human community. Some of the discourses evoked in these discussions are really toxic, and play a significant role in perpetuating or validating the alarmingly high rates of transphobic violence that trans people have to live with on a daily basis. I’m wanting to interrogate this ‘transgender debate’ and highlight its potential for sustaining violence, not to mention its problematic engagements with sacred texts, theologies, and traditions. I hope too that my work can inspire some timely and urgent dialogues of reconciliation between queer and religious communities. A tall order, but I’m intent on gradually chipping away at the homophobic and transphobic edifices that remain so prevalent in many religious communities today.

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16 Days of Activism – Day 1: Johanna Stiebert

Today marks the beginning of the 16 Days of Activism Against Gender-based Violence Campaign. To commemorate, we’ll publish a profile of each of our project directors and members for every day of the campaign.

Our first interview is with project co-director Johanna Stiebert, Associate Professor of Biblical Studies at the University of Leeds.

Tell us about yourself: who are you and what do you do?

My name is Johanna Stiebert and I research and teach on the Hebrew Bible at the University of Leeds. I became an academic because I failed to make a career in human rights journalism and activism, which was my first quest.

What’s your involvement with The Shiloh Project?

The Shiloh Project grew out of a conversation with two friends who are also colleagues, Katie Edwards and Caroline Blyth. Katie teaches biblical studies at the University of Sheffield and Caroline at the University of Auckland, in my native New Zealand. Katie is also Director of the Sheffield Institute for Interdisciplinary Biblical Studies, which, thanks in large part to her leadership, has a strong track-record in organising innovative and activist events focused around things biblical, and Caroline’s publications and teaching have a strong focus on feminist approaches, as well as on LGBTQI rights. Working with them is not only fun, it makes work meaningful.

Katie and Caroline, together with Emily Colgan, were already working on editing a multi-volume collection (forthcoming with Palgrave MacMillan) of papers on religion and rape culture. We decided to hold a workshop in Leeds, which was attended by several more inspiring scholars – Nechama Hadari, Emma Nagouse, Valerie Hobbs and Jessica Keady – and it was there that we decided to launch The Shiloh Project and its blog, to create a forum and resource on religion, the Bible and rape culture. Since the launch, corresponding with contributors and readers and preparing posts for the blog has been one of my favourite work activities.

How does The Shiloh Project relate to your work?

It relates to my work in a number of ways. First, I have a long-standing interest in the topic of gender-based violence and the Bible. In my PhD dissertation already, I focused quite a lot of attention on the woman metaphor in Ezekiel 16 and 23. In these chapters the relationship between Israel’s God and Israel, or Judah, or Jerusalem, is depicted in terms of sexually promiscuous females (i.e. disobedient, abhorrent Israel) and violent men who ‘sort them out’ (i.e. God and the men who do his bidding). It’s appalling stuff.

Since then I have worked also on the image of the abused woman and man in Lamentations, on father-daughter relationships and, most recently, on the topic of incest and the Hebrew Bible. All of these have revolved around gender and power relations. I have also contributed a chapter to the rape-culture volumes, edited by Caroline Blyth, Emily Colgan and Katie Edwards, on the motif of the eroticized sister and rape in both the Hebrew Bible and contemporary popular culture.

But it’s also more personal than just about my research, which has been primarily focused on antiquity. I am well conscious that sexualized violence is multi-dimensional and ever-present. Not only are there constant revelations of sexual violence against boys, girls, women and men – be it in the context of on-street grooming in Rotherham or Rochdale, or in football coaching, be it sex-trafficking of women from Eastern Europe, or scandals erupting in Hollywood or Westminster, or revelations from public schools, children’s homes, universities or the church. I also have children aged eleven and nine and am frequently startled at the disturbing sexualized language and images they encounter (and then ask difficult questions about) – in instagram posts or mainstreamed music videos.

All of this motivates me to make my work relevant to present-day injustices concerning sexism, gender-based injustice and violence. The Shiloh Project has been one way to focus this endeavour and to find other like-minded persons working on related topics.

It has been very satisfying to make activism part of my work and, luckily, my subject unit at Leeds is supportive of this, too. Several of my Leeds colleagues (Adriaan van Klinken, Emma Tomalin, Stefan Skrimshire, Rachel Muers…) integrate social justice activism into their research and teaching. In my view this is an important responsibility for universities – including for subject units teaching about religion.

Through the energy harnessed by this project I have also become involved with applying for a number of research grants to focus on discrete topics. Recently, Katie Edwards and I received funding to take forward a collaboration with scholars, NGOs and women’s rights groups in Yorkshire, Botswana, South Africa and Lesotho. We are also seeking collaborations with the University of Ghana and with the White Rose consortium (working across the universities of Sheffield, Leeds and York) to create networks and conduct research and grassroots projects to facilitate more critical understanding of and resistance to gender-based violence and inequality.

How do you think The Shiloh Project’s work on religion and rape culture can add to discussion about gender activism today?

There is clearly a considerable need for gender activism. So much needs to be done. The dimension of religion, however, is often neglected. And yet, religious beliefs and imagery play quite a significant role in terms of shaping gender stereotypes and values. My colleague Emma Tomalin (at Leeds) is leading projects on how matters of religion interface with public health, with gender (e.g. in discussions of sex trafficking, dowries and on-street grooming) and development (particularly the United Nations’ Sustainable Development Goals) and I am persuaded that much more needs to be done to identify, understand and evaluate the influence of religion in all kinds of gender dynamics. Again, working with Katie and Caroline has made me think about this topic along new lines. Katie has done a lot of work on how popular culture distils and reflects cultural manifestations of gender values, while Caroline has recently demonstrated the impact of religious values (particularly of a very socially conservative brand) on gender public politics.

What’s next for your work with The Shiloh Project?

My next project is to look at contemporary rape myths and to examine how they relate to depictions in the Bible. I am starting with the myth that women often make false allegations – either because they are resentful at having sexual advances rejected, or because they want to abnegate blame for consensually entered into sexual misconduct they later regret. Yes, false rape allegations do happen – but they are far less common than claims about them. I am looking at the story of Potiphar’s wife right now (Genesis 39) in which she demands Joseph have sex with her, he rejects her, and she then claims he attempted to rape her. I’ll be giving the Humboldt Lecture at the University of Bamberg in the new year based on this topic. If you’re in Bamberg on 18 April at 6pm, come along.

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The Daughter and the Concubine from the Nineteenth Chapter of Judges Consider and Speak Their Minds, Lyrae van Clief-Stefanon

The following dual-voiced poem by Lyrae van Clief-Stefanon is based on the brutal story found in the Bible in Judges 19.

Background: The Biblical Text

Aptly called a ‘text of terror’ by feminist biblical interpreter Phyllis Trible, this chapter tells of an unnamed Levite (that is, someone of the tribe of Levi from which the hereditary priests and other sacred functionaries were descended) and ‘his’ concubine (usually understood to be a wife of secondary status, particularly in polygamous societies).

For some reason – either because she was angry with the Levite (so the Greek version), or because she had ‘prostituted’ herself (so the Hebrew version – though it is unclear if the intended meaning is literal or figurative) – the concubine had earlier left the Levite and returned to her father’s house in Bethlehem. After four months, accompanied by a servant and donkeys, the Levite comes to get her back. The father delays the Levite for four days but on the fifth he sets off, taking the concubine. No word is said about her willingness to leave or otherwise.

Unwilling to spend the night among the Jebusites, as the servant proposes, the Levite determines (because the Jebusites are foreigners) to spend the night in Gibeah, a town settled by Israelites of the tribe of Benjamin. Arriving late, they are taken in by an old man who offers them hospitality.

As they are making merry, worthless, or perverse men, surround the house and pound on the door, demanding to ‘know’ the man staying as guest within. (The Hebrew word ‘to know’ can be used as a euphemism for carnal knowledge and the New Revised Standard Version consequently translates, ‘so that we may have intercourse with him’, Judges 19:22). (Quite a number of commentators point to the clear parallels between this part of the story and Genesis 19:5, set in Sodom.)

The old man tries to appease the men by telling them not to do such wickedness to his guest. Instead, horrifyingly, he offers them his own (previously unmentioned) virgin daughter and also the concubine, saying (in the NRSV translation), ‘Ravish them and do whatever you want to them; but against this man do not do such a vile thing.’ (Similarly, in Genesis 19, Lot offers his two virgin daughters to protect his guests.)

Neither the daughter, nor the concubine has a voice in the biblical text. All characters are nameless but unlike all the male characters (the father, the Levite, the servant, the old man, the men of Gibeah) neither female character (concubine or daughter) has voice.

When the men won’t listen, the Levite pushes his concubine outside the door and she is gang-raped all night until morning. At dawn she falls at the door, her hands on the threshold – one of the most affecting and distressing images of the entire Bible, surely.

When the Levite tells the concubine to get up, she does not, or cannot respond. He puts her on the donkey and returns home. Once there, he dismembers her body and sends its twelve pieces throughout all Israel as a summons to war.

This violent and gruesome story of the threatened rape of the Levite, of the offering up for rape of the daughter and the concubine, and of the gang-rape, killing and dismemberment of the concubine is – once events move away from Bethlehem to Gibeah – sparsely told.

There is every reason to believe that this brutal story elicited horror. Horrified outrage is certainly the response of the Israelites who receive the pieces of the concubine’s corpse. Subsequent events (related in Judges 20–21) are war and more rape and the call for stronger leadership in the form of a king, to put an end to mayhem. What is missing is not horror or outrage but any attempt at insight into the women’s terror and suffering. Lyrae van Clief-Stefanon addresses this lack.

Background: Lyrae van Clief-Stefanon

Lyrae van Clief-Stefanon is an award-winning poet and an Associate Professor teaching creative writing at Cornell University. Her magnificent published works include Black Swan, Open Interval and, together with Elizabeth Alexander, Poems in Conversation and a Conversation. She has also published in numerous journals and anthologies and is currently at work on another collection of poems, The Coal Tar Colors.

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 Black Swan, in which this poem is published, is winner of the 2001 Cave Canem Poetry Prize and includes several pieces inspired by women of the Bible and classical mythology who were pursued or raped by either men or male deities, including, alongside the daughter and concubine of Judges 19, also Tamar, Dinah (you can find the poem here), Daphne (here), Helen and Leda.

These poems are part of a growing creative tradition of giving voice and full characterization to women of antiquity. Other examples are Anita Diamant’s The Red Tent, telling Dinah’s story in her own words, Alicia Ostriker’s ‘Jephthah’s Daughter: A Lament’ and Christa Wolf’s Cassandra and Medea.

Lyrae van Clief-Stefanon hails from Florida and in a fabulous interview containing many language (and other) gems speaks of early memories and of profound influences on her life. These include memories of racism and recollections of hitting the drop zone as a teenager, of the ‘beauty and terror’ of her Pentecostal upbringing and of working in a men’s prison.

Lyrae van Clief-Stefanon is public and vocal about being a survivor of child sexual abuse and of rape. In one of her recorded poetry readings from Black Swan she speaks also to her concern about campus rape culture. Her powerful poems break into the silence around rape, giving voice to voiceless women of the Bible and mythology and addressing abusiveness and injustice, particularly against victims of racism and of sexual violence, right up to the present.

 

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The following poem is reproduced here with kind permission of the author. It is published in Lyrae Van Clief-Stefanon, Black Swan (Pitt Poetry Series, edited by Ed Ochester), University of Pittsburgh Press, 2002, pp.31–36.

 

The Daughter and the Concubine from the Nineteenth Chapter of Judges Consider and Speak Their Minds

 

Behold, here is my daughter a maiden, and his concubine;

Them I will bring out now, and humble ye them,

And do with them what seemeth good unto you: But unto this man

Do not so vile a thing.

 

  1. 1.

Suddenly, I am a stranger                            Last visit, I stayed four months

in my father’s house.                                      in my father’s house.

 

His doors open to any man                          For that, my man calls me

off the street, he opens his mouth              whore, his mouth full of bread

 

to make me prostitute.                                 as this old man offers me

Pimp, he has forgotten                                 with his daughter

 

my name. And how I                                     to the hoodlums in the road.

tended his fevers, wept                                I have been whoring after home

 

at the foot of his bed, slept                          since the day I left.

prayers while age played                             I miss my daddy’s easy smile.

 

the fool with his body.                                  This time he tried so hard

What thing exists too vile                             to make us stay, seems like

 

For this man he’s known                              he saw this coming.

one half day that be                                      My man can talk

 

not too vile for me?                                       so pretty when he wants to,

I do not need to be humbled.                      pretty enough

 

And this girl, this wayfaring                         to love, but I know

man’s woman who sticks so                         when he looks

 

close to the walls seems like                        unsatisfied. I know

she longs to slip into                                     when he looks unsatisfied

 

her own shadow, she looks                          not to stand staring

humble down to her bones.                         into a man’s mouth.

 

 

But the men would not hearken to him:

So the man took his concubine, and brought her forth unto them;

And they knew her, and abused her all the night until the morning:

And when the day began to spring, they let her go.

 

  1. 2.

They would have gone.                                I never learned but one prayer

They would have heckled the                     that was Daddy

house,                                                              And Daddy was answer

cursed and called until they’d                     quick to answer

grown                                                              And Daddy and me were praise

                                                                          And Daddy was Hallelujah

bored. They might have thrown                 And I was Glory Glory

a stone, broken a window, but                    And Daddy was Great

then                                                                  Day in the Morning

they would have gone                                   And I was Yes Lord Yes

                                                                           And I was a gift once

and left us alone.                                           And I was Daddy’s to give

But he brought her to them                         And Daddy was joy and sorrow

the way one might drop                               And Daddy was Oh

                                                                          my baby gal done got big

an ant into a spider’s web.                            And Daddy was Lord

And my father, silent, watched                    she done grown and gone

curious to see destruction.                           And Daddy said

                                                                           Make that negro treat you right

It could have easily been me.                      And Daddy said Come back if he

It could have easily been me.                                  don’t

It could have easily been me.                      And Daddy said Come anyway

                                                                           I’m making your favorite

Not one creature stirs.                                  And Daddy said Come anyway

It is as though the birds                               Y’all can have your old room but

no longer recognize                                      I am in the eye of something so

                                                                                     bright

morning: a cheap faint glow                       I am in the middle of light

haunting the eastern sky                             I am in the middle of something

and what is there to sing about?                             so

                                                                           bright I can’t see day

If I had but a burrow                                     breaking I am in the middle of

I would call myself blessed.                         something so bright Daddy

If I had a grave, I would climb                    I’m praying for night

into it.

 

Then came the woman in the dawning of the day,

And fell down at the door of the man’s house

Where her lord was, till it was light.

 

  1. 3.

The smell of death squats                            Day comes like something

in every corner: this house stinks              snatched from me

of men. I have to spit.                                   I keep

My mouth keeps                                           hearing snatches, songs

Filling with saliva. In the kitchen              Precious Lord,

I hold the back of my hand                         take my hand

to my nose                                                      the same line keeps

and try to remember                                    catching me

some other                                                     I am tired

smell than male                                             I am tired

sweat and musk                                            I am tired

and spilled semen                                         Do not lead me

that hangs heavy                                           to the light

in these rooms. I am afraid                         I am afraid

to open the windows,                                   of what waits for me

afraid the outside air                                   Precious Lord,

will carry the same                                       where is my

smell,                                                               Lord

will add to this mixture                                I am

blood.                                                              tired

 

 

And her lord rose up in the morning,

And opened the doors of the house, and went out to go his way:

And, behold, the woman his concubine was fallen down

At the door of the house, and her hands were upon the threshold.

 

  1. 4.

Ground glass.                                                 Say one

Nightshade.                                                    sweet word

Pot ash.                                                           to me.

 

Blood tired, blood                                          I am waiting

tired. Blood tired.                                          to be comforted.

 

Polk berry.                                                     Something

Jimson weed.                                                 pretty

Snake venom.                                                to the skin,

 

My father.                                                      the dirt

My God.                                                          beneath my fingernails,

 

Arsenic.                                                           to my mouth,

Diffenbachia.                                                 twisted and full

Monkshood.                                                   of sand,

 

Blood tired. Blood                                          pretty words

tired. Blood tired.                                          for bruises,

 

Ground glass.                                                 for my raw throat

Nightshade.                                                    burning. Bring flowers

Pot ash.                                                           for me like you

 

My God.                                                          used to.

 

And he said unto her, Up, and let us be going.

But none answered.

Then the man took her up upon an ass,

And the man rose up, and gat him unto his place.

 

  1. 5.

Should I

refuse

to tell

this story

 

May I

never again

cross my

father’s

threshold

 

And when he was come into his house,

He took a knife, and laid hold on his concubine,

And divided her, together with her bones …

Consider of it, take advice, and speak your minds.

Judges 19: 24–30

 

  1. 6.

Blood                                                              I am

drips from                                                      not forsaken

block                                                               and no

to Earth                                                          war

spinning witness                                           will silence

mud tinted                                                     my bones.

red/black                                                       This Earth

soaked.                                                           drinks

When                                                              my

a man finds                                                    blood

his soul                                                           in remembrance

wracked                                                         and no

and one                                                          man

finger                                                              will silence it.

points back                                                    I have put

to this blood,                                                 my story

when                                                               into

the moon                                                        my sisters’

goes down                                                      mouths

in this                                                              and we

blood,                                                              will sing

when the sun                                                 and we

refuses this                                                    will wail

blood, my soul                                               and we

will say                                                           will shout.

Yes.                                                                 Amen.

 __________________________________________________________________________

 

Feature Image: ‘Judges 19’ by Mario Moore, 2009.

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Graphic representations of rape in biblical comics

Zanne Domoney-Lyttle is a tutor in Biblical Studies, including Biblical Hebrew language, at the University of Glasgow, and is currently working towards her PhD on the representation of the Bible in Comic Books (Theology & Religious Studies/Stirling Maxwell Center for Text-Image Narratives). She is passionate about reading the Bible as a contemporary cultural product, both in terms of adaptation and re appropriation of biblical material in our society.

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Biblical comics – that is, adaptations of biblical material into comic book formats – have become increasingly popular in recent decades. In the past ten years alone, W.W. Norton has published The Book of Genesis, Illustrated by R. Crumb (2009), Siku wrote and illustrated The Manga Bible (2009), and a group of creators are currently working on producing a digital word-for-word Bible which claims to be historically accurate, unabridged, and “untamed.” Many more adaptations exist, many more are in the process of being created, and the market for text-image Bible shows no sign of slowing down.
It is easy to see why: the Bible is full of graphical, fantastical, easily visualised and emotionally charged stories, all of which provide great fodder for comics’ artists and writers to use either in “straightforward” retellings (and I use that term tongue-in-cheek with regards to biblical material) like Crumb’s Genesis, Illustrated, or for biblically-inspired stories like Goliath by Tom Gauld, which narrates the battle of David and Goliath (1 Samuel 17) from the giant’s point of view.

Like any form of literary or visual adaptation, creators of biblical comics have to pick and choose which stories to tell, which characters to include, and most importantly, which bits to leave out of their adaptations. For the majority of biblical comics on the market, that tends to mean leaving out scenes of sexual assault and rape. Of the 30 or so biblical comics which sit on my physical and digital shelf, only two include scenes of rape: R. Crumb’s “word-for-word” interpretation of Genesis means he had to include the rape of Dinah in Genesis 34, as well as Genesis 16 where Hagar the slave-concubine is given to Abraham for the purpose of producing an heir; an event which many biblical scholars interpret as rape owing to Hagar’s subservient status meaning she has no free will to accept or refuse. The other comic is The Book of Judges, a digital comic by Simon Amadeus et al. Also a “word-for-word” Bible comic, the rape and dismemberment of the Levite’s concubine in Judges 19 is graphically depicted across two pages, in full colour.

Most other biblical comics avoid such difficult scenes. For the reader, this is potentially problematic. In a recent article for The Conversation, Dr. Katie Edwards and Dr. Meredith Warren discussed the problems of leaving out the more gruesome, violent, or sexual aspects of the Bible when children are exposed to the text, arguing that encouraging close, critical readings of the text would give young people the tools to address issues of violence, slavery and even genocide in our own time.

This can and should also be applied to visualisations of sexual assault in biblical comics; after all, other graphic narratives concerning genocide (Noah’s flood, Genesis 6:9 – 9:17), slavery (the Israelites enslaved in Egypt, book of Exodus) and violence (for example, Genesis 4, when Cain murders Abel) are frequently re-presented in biblical comics. So why do comic creators stay clear of sexually-orientated scenes of violence?

One answer might lie in the fact that comic books are often still seen as children’s items; there is a wealth of material that argues against this notion (both inside and outside of academia) and thankfully, it is not as prevalent an opinion anymore. However, that comic books stem from a tradition pertaining to children’s literature still potentially influences their content, and so leaving out sexually explicit subjects might seem safer in order to “protect” a younger audience from difficult content.

Still, the question remains as to why certain forms of violence are deemed appropriate over other types of violence. Conversely, it must be noted that comics are, as highlighted above, no longer the domain of children. Markets are moving towards young adult/adult readers which, if it is the case, somewhat negates the argument that creators must be cautious of sensitive material influencing young minds. Leaving out scenes of sexual violence might be less to do with perceived readership, in that case, and more to do with the creators themselves.

To visually and textually represent a scene of violence from the Bible is difficult enough; to visually and textually represent a scene of rape or sexual assault from the Bible requires the creator to not only interpret and imagine the scene, but to recreate the act. It is the creator or the team of creators who must physically draw Dinah being raped (Genesis 34), for example, which makes them complicit in the act of rape. Complicity may be more pronounced in the act of creating text-image narratives of rape and sexual assault than it is in translating or transcribing, because the visual image is often more visceral than word alone. The creator[s] must figuratively and literally picture how the scene looks; their hands physically transmit the violent act on to paper where it is apprehended instantaneously and directly, without the “cover” of words. In a similar way, the reader also becomes complicit in the act by reading the text and image, and by physically handling and turning pages, effectively allowing the story – and the rape – to continue.

The lack of re-presenting biblical rape narratives in comic books, then, is perhaps just as important as their inclusion in biblical comics. By not including them, the creator of the book is choosing not to become complicit in a sexually violent act, and at the same time, preventing the reader from having to experience the rape, themselves becoming complicit in the continuation of the story’s intimate violence. Conversely, choosing to include rape and sexual assault in biblical retellings is giving a voice and a face to the victim, who otherwise, would remain silent and faceless.

Giving a voice to a victim of sexual assault or rape is essential, especially in the current climate. On an almost-daily basis, new revelations and allegations concerning sexual assault and rape appear in our newsfeeds, and the victims of such crimes are often unable to present their case – either because they are silenced or because they lack the ability or opportunity to present the wrong done to them. Visualising biblical rape narratives, if nothing else, may be a way to present cases of sexual assault and rape, forcing readers to confront the wrongs done to victims, be they historical, current, or even fictional.

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