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Cultural Studies

Crucifixion, State Terror, and Sexual Abuse

Katie Edwards and David Tombs’ recent article in The Conversation (23 March 2018) draws on the earlier article David Tombs, ‘Crucifixion, State Terror, and Sexual Abuse’, Union Seminary Quarterly Review, 53 (Autumn 1999), pp. 89-109, available at Otago University Research Archive.

The article shows how reports of torture in Latin America reveal the role of state terror and prevalence of sexual abuse, and how these might help towards a closer reading of crucifixion.

Earlier this month Professor Linda Woodhead (University of Lancaster) wrote a comment piece for The Telegraph building on the work in The Conversation article. Read Woodhead’s piece here.

On March 31st 2018, CNN included David Tombs’ research in an article on Easter as a ‘#MeToo moment’. Read the CNN piece here.

On 5th April, the original article by Edwards and Tombs was translated into Indonesian.

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#HimToo – why Jesus should be recognised as a victim of sexual violence

Katie Edwards, University of Sheffield and David Tombs

The season of Lent is an invitation to the churches, and to anyone else who wishes to do so, to reflect on the disturbing story of the torture and crucifixion of Jesus of Nazareth as described in the New Testament. It is one of the most widely known and often retold stories in human history. Yet despite being read and remembered so often, there is a part of the story which typically receives little attention and minimal discussion – the stripping of Jesus.

The #MeToo movement has highlighted the prevalence of sexual assault, sexual harassment and other sexual abuses experienced by women and girls in many different forms. It has also exposed the common tendency to deny, dismiss, or minimise the significance and impact of these experiences.

The stripping of Jesus

With this in mind, during this present Lenten period, it seems especially appropriate to recall the stripping of Jesus – and to name it for what it was intended to be: a powerful display of humiliation and gender-based violence, which should be acknowledged as an act of sexual violence and abuse.

The idea that Jesus himself experienced sexual abuse may seem strange or shocking at first, but crucifixion was a “supreme punishment” and the stripping and exposure of victims was not an accidental or incidental element. It was a deliberate action that the Romans used to humiliate and degrade those they wished to punish. It meant that the crucifixion was more than just physical, it was also a devastating emotional and psychological punishment.

The convention in Christian art of covering Christ’s nakedness on the cross with a loincloth is perhaps an understandable response to the intended indignity of Roman crucifixion. But this should not prevent us from recognising that the historical reality would have been very different.

This is not just a matter of correcting the historical record. If Jesus is named as a victim of sexual abuse it could make a huge difference to how the churches engage with movements like #MeToo, and how they promote change in wider society. This could contribute significantly to positive change in many countries, and especially in societies where the majority of people identify as Christian.

Some sceptics might respond that stripping a prisoner might be a form of violence or abuse, but it is misleading to call this “sexual violence” or “sexual abuse”. Yet if the purpose was to humiliate the captive and expose him to mockery by others, and if the stripping is done against his will and as a way to shame him in public, then recognising it as a form of sexual violence or sexual abuse seems entirely justified. The way that the stripping of Vercingetorix, King of the Arverni, is depicted in the first episode of the first series of the HBO series Rome is an example of this.

The scene highlights the vulnerability of the naked prisoner who is stripped and exposed in front of the assembled ranks of hostile Roman soldiers. The power and control of Roman power is contrasted with the vulnerability and forced submission of the prisoner. The scene also hints at the possibility of even greater sexualised violence which might be in store.

Combating Stigma

Jesus’ gender is central to readers’ seeming unwillingness to recognise the sexual abuse to which he is subjected. Analysis of the gendering of nakedness by Margaret R. Miles demonstrates that we view male and female nakedness differently. In biblical art in the Christian West, Miles argues that the naked male body represents glorious athleticism representing spiritual as well as physical suffering.

Sexual abuse doesn’t form part of the narrative of masculinity inherent in representations of Jesus. Naked women, however, are immediately identified as sexual objects. Seeing a woman being forcibly stripped, then, might be more recognisable as sexual abuse than the stripping of Jesus in the Gospels of Matthew and Mark. If Christ was a female figure we wouldn’t hesitate to recognise her ordeal as sexual abuse.

Some present day Christians are still reluctant to accept that Jesus was a victim of sexual violence and seem to consider sexual abuse as an exclusively female experience.

We may not want to dwell on the disturbing indignity of crucifixion for the whole year, but it is not right to forget about it completely either. The sexual abuse of Jesus is a missing part of Passion and Easter story retellings. It’s appropriate to recognise Jesus as a victim of sexual violence to address the continuing stigma for those who’ve experienced sexual abuse, especially men.

Lent offers a period in which this stark reality of crucifixion might be recalled and connected to the important questions that movements like #MeToo are raising for the churches and for wider society. Once we acknowledge the sexual abuse of Jesus perhaps we’ll be more willing to acknowledge sexual abuse in our own contexts.

Katie Edwards, Director SIIBS, University of Sheffield and David Tombs, Howard Paterson Chair of Theology and Public Issues

This article was originally published on The Conversation. Read the original article.

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Professor Gerald West at The University of Auckland: ‘Building Biblical Interpretive Resilience and Resistance in the Context of Gender Violence’


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DEADLINE EXTENSION- call for papers


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Many of our members (including our conference organising team) have been on strike over the last month as part of the UCU (University and College Union) industrial action over USS pensions. Over 60 universities in the UK are involved. Members of UCU continue to be on action short of a strike.

We are extending the call for papers deadline for our Religion and Rape Culture conference to 5pm March 29th.

See updated call for papers:

We are thrilled to announce our keynote speakers will be Professor Cheryl Exum and
Professor Rhiannon Graybill.

The Shiloh Project is a joint initiative set up by staff from the Universities of Sheffield, Leeds and Auckland (NZ) researching religion and rape culture. We are proud to announce a one day interdisciplinary conference exploring and showcasing research into the phenomenon of rape culture, both throughout history and within contemporary societies across the globe. In particular, we aim to investigate the complex and at times contentious relationships that exist between rape culture and religion, considering the various ways religion can both participate in and contest rape culture discourses and practices.

We are also interested in the multiple social identities that invariably intersect with rape culture, including gender, disabilities, sexuality, race and class. The Shiloh Project specialises in the field of Biblical Studies, but we also strongly encourage proposals relating to rape culture alongside other religious traditions, and issues relating to rape culture more broadly.

This conference is open to researchers at any level of study, and from any discipline. We invite submissions of abstracts no more than 300 words long and a short bio no later than 5pm March 29th. Please indicate whether your submission is for a poster or a presentation. We particularly welcome abstracts on the following topics:

Gender violence and the Bible
Gender, class and rape culture
Visual representations of biblical gender violence
Representations of rape culture in the media and popular culture
Teaching traumatic texts
Methods of reading for resistance and/or liberation
Sexual violence in schools and Higher Education
Religion, rape culture and the gothic/horror genre
Spiritualities and transphobia
Familial relations and the Bible

For more information, or to submit an abstract, email [email protected]

@ProjShiloh

This event is supported by AHRC and WRoCAH.

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Booking and CFP for Religion and Rape Culture Conference, 6th July 2018


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Booking is now open for our Religion and Rape Culture Conference. Places are limited so book your ticket fast!

Please note that we have small travel bursaries to contribute to travel costs for UK students who wish to attend the conference. These bursaries will be awarded on a needs basis, and speakers/those with poster submissions will also be prioritised.

The deadline for submission of proposals for our Religion and Rape Culture Conference is fast approaching! Get your proposals in by 19th March 2018. See the CFP below for more details.

Email [email protected] for more information.

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#MeToo Jesus: is Christ really a good model for victims of abuse?

Katie Edwards, University of Sheffield and M J C Warren, University of Sheffield

It is the start of Lent, a time when Christians reflect on the upcoming Passion of Jesus. Jesus is held up as an example of steadfastness in the face of oppression by malevolent forces. He shows strength through his silence, approaching his suffering willingly.

Throughout the ongoing #MeToo movement Jesus has been invoked by Christian communities as a co-sufferer and promoted as a model for redemptive suffering, particularly in the face of abuse. But is Jesus’s silence a troubling model for victims of sexual assault?

One of the hallmarks of Jesus’s portrayal in popular culture is his silence in the face of Pontius Pilate’s interrogation. This image of silence comes from the three Gospels of Mark, Matthew, and Luke’s versions of Jesus’s trial.

When Jesus does speak, his words are brief, cryptic, and taken from the Gospel of John rather than the other three, where Jesus’s silence is emphasised.

In Matthew and in Mark, the entire trial scene takes place in four verses; in Luke, where there is slightly more input from “the multitudes” as well as a second trial in front of Herod, we are done in eight verses. Even so, in these gospels, Jesus makes no answer to the charges laid against him.

It’s likely that Matthew, Mark and Luke’s versions depict Jesus’s silence as a way of characterising him as the “Suffering Servant” of Isaiah 53:7. In each case, whether in these gospels or in Isaiah, the image portrayed is one of virtue in silence, and of a pious sacrifice in the face of an unjust world. It is that silence that ultimately kills him.

This contrasts with John’s depiction of the same scene, which takes place over ten verses, more than double the amount of text devoted to the trial in Mark and Matthew’s versions. In John, Jesus is clear about who he is and makes a direct response to accusations; he also corrects Pilate’s misunderstanding about his true identity. This is part of Jesus’ plan – he is clear about his death being the will of God his Father.

But whether he is silent as in Mark or whether he speaks in his own defence as in John, Jesus is sentenced to death and crucified. The end result – suffering, pain, and death – is the same.

#MeToo Jesus

Parallels have been drawn between Jesus’s response to his abuse during the Passion and the #MeToo movement. Not least because, like Jesus, the victims of Harvey Weinstein’s alleged abuse have been condemned whether they’ve spoken out or remained silent.

While the torture and crucifixion of Jesus in the Bible is widely accepted, the idea that his abuse included sexual assault is a less established aspect of the Passion narrative.

The work of David Tombs at the University of Otago shows that Jesus’s torture included a sexual element. According to the Gospel of Matthew, Jesus is stripped three times and his nakedness is part of his humiliation. Similarly, biblical scholar Wil Gafney has suggested that the crucifixion of Jesus is a form of sexual assault:

I consider … the full range of torture and humiliation to which Jesus of Nazareth was subjected, physical and sexual. The latter is so traumatising for the Church that we have covered it up – literally – covering Jesus’ genitals on our crucifixes … The mocking, taunting, forced stripping of Jesus was a sexual assault. He was, as so many of us are – women and men, children and adult – vulnerable to those who used physical force against him in whatever way they chose.

A troubling model of suffering

Throughout the ages, Jesus has been presented as a model of suffering. For instance, in the 18th century, St Paul of the Cross declared that:

The more deeply the cross penetrates, the better; the more deprived of consolation that your suffering is, the purer it will be; the more creatures oppose us, the more closely shall we be united to God.

Silence in the face of abuse, sexual assault and violence, then, becomes glorified and dignified. Some Christian communities have recognised the problems in constructing silence in the face of abuse as virtuous and have taken steps to challenge it.

For example, the hashtags #SilenceisNotSpiritual and #ChurchToo have been developed to offer a counter-narrative to the idea that silent suffering is an emulation of Jesus.

But the backlash to these hashtags, which promote the voices of those who’ve experienced sexual abuse and violence, has included some more troubling connections between Jesus and the #MeToo movement. Some social media commentators have presented Jesus as the perpetrator of sexual assault rather than as the victim.

By using sexual assault as a metaphor for Christ taking Christians by force, penetrating their sin with his righteousness, this view presents Jesus as a perpetrator of sexual assault, undermining the experience of survivors and victims of sexual violence and suggesting that sexual assault might be a potentially positive (or even necessary) experience.

The virtue of speaking out

The reaction to Jesus’s silence as well as his self-advocacy presents a troubling model for those who view Jesus as an exemplary victim of abuse, since both silence and speaking out lead to further pain and violence.

The ConversationThis should lead to an interrogation of how we as a society value suffering and especially silent suffering in the wake of #MeToo, but also challenges the notion that victims are obligated to speak out in order to be vindicated. In the end, the blame should still fall firmly on the abusers.

Katie Edwards, Director SIIBS, University of Sheffield and M J C Warren, Lecturer in Biblical and Religious Studies, University of Sheffield

This article was originally published on The Conversation. Read the original article.

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Call for papers! Religion and Rape Culture Conference, 6th July 2018


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Religion and Rape Culture Conference

  • The University of Sheffield, 6th July 2018
  • We are thrilled to confirm that one of our key-note speakers will be Professor Cheryl Exum.

We are delighted to announce a one day interdisciplinary conference exploring and showcasing research into the phenomenon of rape culture, both throughout history and within contemporary societies across the globe. In particular, we aim to investigate the complex and at times contentious relationships that exist between rape culture and religion, considering the various ways religion can both participate in and contest rape culture discourses and practices.

We are also interested in the multiple social identities that invariably intersect with rape culture, including gender, disabilities, sexuality, race and class. The Shiloh Project specialises in the field of Biblical Studies, but we also strongly encourage proposals relating to rape culture alongside other religious traditions, and issues relating to rape culture more broadly.

This conference is open to researchers at any level of study, and from any discipline. We invite submissions of abstracts no more than 300 words long and a short bio no later than 19th March. Please indicate whether your submission is for a poster or a presentation. We particularly welcome abstracts on the following topics:

  • Gender violence and the Bible
  • Gender, class and rape culture
  • Visual representations of biblical gender violence
  • Representations of rape culture in the media and popular culture
  • Teaching traumatic texts
  • Methods of reading for resistance and/or liberation
  • Sexual violence in schools and Higher Education
  • Religion, rape culture and the gothic/horror genre
  • Spiritualities and transphobia
  • Familial relations and the Bible

For more information, or to submit an abstract, email [email protected]

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Using religious imagery in popular culture to explore and challenge everyday sexism, sexual harassment and abuse together with secondary school students

Our White Rose Collaboration Fund project will begin soon and the webpage is already live!

Revelations of pervasive sexual harassment and abuse are emerging from numerous settings. Moreover, educational research shows that such is prevalent already among school pupils. Children as young as 7 experience sexualized name-calling, unwanted touching and appearance-related bullying. Teachers report witnessing such practices and feeling ill-equipped to respond (Women’s and Equalities Committee Report, 2016).

Our multi-disciplinary collaboration brings together academics from Education, English, Biblical and Religious Studies to explore sexism and sexual harassment in secondary school settings using one discrete focus and lens: the role of religious imagery in popular culture (particularly advertising and music videos).

Religious imagery (e.g. the veil, the Cross) is widely used in popular culture both to represent and reinforce ideologies about such complex concepts as ‘sexuality’, ‘purity’, ‘virginity’, or ‘im/morality’. This imagery also conveys notions that casualize or glamourize sexual harassment or violence, reinforce the normativity of heterosexuality, and perpetuate racist associations between Blackness and certain sexual characteristics/desires. Such representations can be regarded as problematic in relation to young people’s understandings of gender, sex and sexualities.

In consultation with secondary schools from all three White Rose regions and a third-sector organization offering gender equality training for school-age girls (Fearless Futures), the network will conduct three pilot workshops with secondary school students (girls and boys) to investigate interactions with religious imagery in popular culture and the ways in which these representations shape understandings of gender, sex and sexualities.

Professor Vanita Sundaram (University of York) will lead the project with Dr Johanna Stiebert (University of Leeds) and Dr Katie Edwards (University of Sheffield), working alongside colleagues Dr Valerie Hobbs (University of Sheffield), Dr Sarah Olive (University of York), Dr Jasjit Singh (University of Leeds), Dr Caroline Starkey (University of Leeds), Ms Sofia Rehman (University of Leeds) and Dr Meredith Warren (University of Sheffield).

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