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Gender Studies

COVID-19 Lockdown Interview: Susannah Cornwall

Tell us about yourself.

I’m Susannah Cornwall, Senior Lecturer in Constructive Theologies at the University of Exeter. I’m the author of various books on Christian theology, sexuality and gender, of which the most recent is Un/familiar Theology: Rethinking Sex, Reproduction and Generativity (Bloomsbury, 2017).

What have you been doing and are you able to work during this COVID-19 lock-in?

I’m Director of Education with responsibility for all our undergraduate and taught postgraduate programmes in Theology and Religion and Liberal Arts at Exeter, so this has been a spectacularly busy time, working out details of changes to assessments and exams, moving teaching online, and ever-changing contingency planning in response to the latest advice. We are also working out what will happen with admissions over the summer, and helping our students with a wide range of academic and pastoral issues raised or exacerbated by coronavirus. As ever, I’m in awe at their resilience, patience and good humour.

Work from home is really challenging now that it also involves full-time childcare: my husband (also an academic) and I are doing alternate work and childcare shifts. I’m fortunate to be in an institution that has made clear that it appreciates these are exceptional circumstances and that something has to give, and is encouraging us to prioritize our own and our dependents’ wellbeing. I have colleagues elsewhere who are being told that the expectation is that there’s no drop to their productivity during this time, which is terribly unrealistic and inhumane. However, there’s no getting around the fact that a constantly shifting mode and getting no uninterrupted time to work is going to have knock-on effects, and I hope institutions are going to take seriously the fact that there are equality, diversity and inclusion implications to all this that will impact on many academics’ pay, progression and job security for years to come.

Which aspects of your work past and present might be particularly interesting for supporters of the Shiloh Project?

I’m currently working on a constructive theology of gender diversity, and coronavirus is highlighting the fact that lots of the precarities trans people face are even more heightened in a pandemic. These are extreme times and big decisions are being made centrally for the sake of what we’re told is a common good, but of course there’s going to be collateral damage. This is a time when life looks almost unrecognizable, so there are all kinds of possibilities. People are learning about ways of life they didn’t know before; new relationships are being forged that didn’t exist before. So that’s exciting, but it also means there’s even more marginality and precarity than there was before.

But it’s an opportunity, too. When the world goes back to normal (will the world ever go back to normal?) what will gender look like? How will things be for trans and intersex people? What do all of us, cis and trans, endosex and intersex, want to carry over into our new world?

How are you bearing up and what’s helping you most?

I have it so much easier than many people: I have secure employment, a safe place to live, more than enough food, a garden, internet, and more. I live within walking distance of green fields and the edge of countryside. I’ve started running again. I’m enjoying doing more “slow cooking” (but not slow-cooking!) than normal, and my son is revelling in having everyone at home. He’s very used to one or other parent being away for several days or having had to leave early before he gets up in the morning. So I’m enjoying the fact that he’s enjoying it! I think I’ll also look back with gratitude at having had this unexpected extra time with him at home every day before he starts school in the autumn.

I love the small creative acts of kindness that people are doing around the neighbourhood: setting up WhatsApp groups to ensure everyone is okay and has enough shopping; some kids in the next road have set up a pop-up library (with hand sanitizer!) outside their house; people have been chalking murals and adventure trails on the pavement for children to enjoy during their walks; someone has made their front garden into a safari zoo with toy snakes, orangutans, birds and big cats to spot. All that said, I’m also finding it really hard. I feel sad that my son is missing out on so much time with his friends and amazing teachers. I’m feeling lethargic, powerless, and like I have only just enough energy to tread water and survive, when I somehow want to be making the most of this weird time. I’m feeling frustrated that I’m too exhausted to be creative or generative, or even think about grand schemes like “theology in the time of coronavirus”. I’m feeling angry that it’s taken this situation for people to realize how scandalous it is that nurses, care workers, supermarket workers, food producers and distributors are the people on whom society really relies and yet continue to be underpaid and badly treated.

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Professor Cheryl Anderson: Why #MeToo Matters for LGBT Inclusion

Cheryl B. Anderson is professor of the Old Testament at Garrett-Evangelical Theological Seminary in Evanston, Illinois. Earlier in her career, she was a practicing attorney with the federal government in Washington, D.C.

Professor Anderson is also an ordained elder in the United Methodist Church (Baltimore-Washington Conference). She is the author of Women, Ideology, and Violence (T&T Clark, 2004) and Ancient Laws and Contemporary Controversies (Oxford University Press, 2009). Her current research interests involve contextual and liberationist readings of Scripture in the age of HIV and AIDS.

In the video below, Professor Anderson explains why #MeToo matter for LGBT inclusion.

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COVID-19 Lockdown Interview: Katie Edwards

Like everyone else, the COVID-19 pandemic terrifies me. I’m increasingly aware of my privilege and I veer between feeling extremely grateful and very guilty for all that I sometimes take for granted. I’m thinking a lot about the people for whom confinement in the home has horrific consequences. I worry about the implications for widespread serious mental health issues and the increase in domestic abuse and financial distress caused by the lockdown. I worry about the stories being buried under the avalanche of Coronavirus headlines. If I think about the pandemic and its implications for too long, or read the news too often, then I can spiral into panic. At one point I had updates flashing up on my mobile but I stopped those and over the last couple of weeks I’ve trained myself to listen to the news once a day so I can stay informed but manage the general anxiety triggered by a constant stream of awful news.

I’m a primary caregiver for my parents, who’re classed as vulnerable by the NHS. The pandemic has made me acutely aware of how much I depend on them. Despite my role as caregiver I rely on them for so much emotional support. I’ve lost a lot of sleep worrying about losing them – and sometimes I’ve experienced moments of breath-taking premature grief – but now I try to take each day as it comes and make sure I show them every day in some way how much I love and appreciate them. They’re my mates.

Another ritual I’ve developed during lockdown is to perform a show tune for my partner, Mat, each morning as soon as he wakes up. I sing and do an improvised dance routine. I know my performance energises him because he gets up as soon as I start singing and races to the shower. The neighbours love it too – they bang on the wall in appreciation of my powerful vocals. It’s so important to keep spirits high during difficult times.

My family, friends, and dogs, Minnie and Buster, keep me going every day of my life but I’ve become acutely aware of how much I take them for granted. I miss seeing and hugging my nieces and nephews.

Buster Edwards

Working collaboratively is a real saviour for me. I’m so grateful to work with such kind, supportive, fun, and super-intelligent people. My close friends Caroline Blyth and Johanna Stiebert, who co-direct The Shiloh Project with me, continue to be my life-line. We always message lots but we’re having regular virtual meetings and just hearing their voices improves my mood. As well as Caroline and Johanna, I’m working with journalist and theologian Rosie Dawson on the forthcoming Shiloh podcast. I always enjoy having a new project to think about and Rosie’s a perfect working partner. I often work closely with Chris Greenough, Dawn Llewelyn, Meredith Warren, Emily Colgan, and Minna Shkul too and we’re all keeping in touch during the lockdown. They’re a brilliant set of pals.

When I’m working and the weather’s nice I try to sit in the garden so I can listen to the birds sing. The pandemic has triggered a renewed appreciation for birds, greenery, and nature more generally. I found the film The Road very disturbing when I saw it years ago and I had nightmares afterward. Sometimes scenes from the film come flashing into my mind when I’m loading the dishwasher or reading a book. I take care to appreciate the nature around me in these apocalyptic times – bird song sounds like life and happiness to me.

I’m missing dear friends like Adriaan Van Klinken, Dom Mattos, Cheryl Exum, Francesca Stavrakopoulou, and Mmapula Kebaneilwe too. I’m so looking forward to seeing them when the lockdown comes to an end.

Mat says I must finish by thanking him for his unending support, appreciation, and patience. He suggests that I say “something like.. he really is the best partner a person could have” and I am “so very lucky”.  He is a joy to behold and the show to my tunes.

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COVID-19 Lockdown Interview Series: Rhiannon Graybill

1. Tell us about yourself. What have you been doing and are you able to work during this COVID-19 lock-in? 
I was already on sabbatical before social distancing started, so for me it’s been less of a change to my daily routine (especially since I was already doing my writing from home). I’m also at the point in my research where I’m mostly writing, rather than researching things, which is very lucky given that all the libraries are closed. I’m trying to stick to my pre-pandemic pattern of working on my book in the morning and then other projects in the afternoon or evening. Of course, I’ve been having trouble concentrating and getting work done, but I’m not being too hard on myself about that — we’re in a pandemic, these are not normal times! On a personal note, my husband is also an academic and working from home; we don’t have children and we’re not currently taking care of any family members (or home schooling!). This gives us a very different experience of shelter in place than other friends and colleagues, especially those with kids, and I’m very sympathetic to what they’re juggling right now. 

2. Which aspects of your work past and present might be particularly interesting for supporters of the Shiloh Project? 
Right now I am finishing up a book called Texts after Terror: Rape, Sexual Violence, and the Hebrew Bible, which is a study of biblical rape stories. I argue that the frameworks we use to talk about sexual violence in the Bible are dated and un-feminist, and that we need new models for reading and theorizing “rape stories” (a term I use to refer both to biblical texts about rape and to texts that involve rape culture more broadly). One model that I offer in the book is a framework for describing sexual violence as “fuzzymessy, and icky” — fuzzy in that it’s not always that clear what happened or how it was remembered, messy in its consequences, as well as in the ways that sex and bodies are often messy, and icky in the ways that sexual violence fails to fit into neat patterns of evil perpetrators and innocent victims. I first developed this argument in a lecture I gave at the Shiloh Project’s inaugural rape culture and religion conference in 2018 in Sheffield; it’s even posted on the website! In  addition to this book project, I’m also finishing up an edited volume on Margaret Atwood and the Bible with my colleague Peter J. Sabo called “Who Knows What We’d Make Of It, If We Ever Got Our Hands On It?”: The Bible and Margaret Atwood  — the quote in the title is fromThe Handmaid’s Tale, a novel that I’m sure many Shiloh Project supporters know well. 

3. How are you bearing up and what’s helping you most? 
Like a lot of people, I’ve been video-chatting with friends and family, which has definitely helped. Yesterday, my niece turned one, and we all celebrated together on Zoom and watched her eat her first cupcake (she loved it!) I’ve also been reading a lot of murder mysteries, just to give myself a break. My family is all far away in Montana, and my friends are scattered all over the place, so there are a lot of people I’m worried about. 

4. Send us a picture that captures your COVID-19 days.
Here’s a picture of my research assistant helping me with my book project! 

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COVID-19 Lockdown Interview Series: Adriaan Van Klinken

The first week of this lockdown I spent closely following the news with updates about the pandemic across the globe, which became depressing. I also felt sad about having to cancel a trip to South Africa and Zimbabwe, where I had a friend’s wedding, a holiday with my husband, a conference and two book launch events lined up – a trip I’d been planning and looking forward to for months. After that first week or so, I decided to only check the news twice a day, and to take a distance from social media, especially WhatsApp where groups were constantly buzzing, and instead to make the most of “working from home”. 

I’m lucky that I’m on research leave at the moment – so I could ignore the many emails that the University sent about student education related matters, while feeling sympathy for my colleagues who suddenly had to experiment with online teaching methods. My planning for research leave has been greatly affected by the current crisis – in addition to cancelling the South Africa trip, I also had to postpone a trip to Kenya in May to launch an AHRC funded research network, not knowing when I can reschedule; I’m also uncertain whether or not I should start preparing for my inaugural lecture that’s planned for June. In recent days I spent quite a lot of time planning the sessions of the African Religions unit for the AAR annual meeting in November, with on the back of my mind the idea that the meeting may soon be cancelled. 

With all the uncertainty, I decided to prioritise a couple ofprojects I can actually easily do from home: preparing the launch of a documentary film, completing a book manuscript, and processing and analysing the data of a research project. Each of these projects might actually be of interest to Shiloh readers! 

The film is called Kenyan, Christian, Queer, and is related to my book with the same title that was published last year. The film features an LGBT church in Kenya and the work they are doing to create an affirming space for LGBT Christians in a mostly conservative society. The actual production of the film is done by Aiwan Obinyan, a British-Nigerian film maker who is a friend of mine. I’ve been giving feedback on drafts, communicating with relevant stakeholders, and preparing educational resources for using the film in classroom settings. Unfortunately the African Studies conference where the film was to be launched has been cancelled, so we’re currently making alternative plans. 

The book I mentioned is titled Reimagining Sexuality and Christianity in Africa, and I’m authoring it with Ezra Chitando, a colleague in Zimbabwe. It’s aimed at a non-specialist audience of students, religious leaders and activists, thus requiring a more accessible writing style than the typical academic monograph. The book seeks to interrogate the dominant narrative of Christian homophobia in Africa, demonstrating how Christianity also serves as a site to imagine alternative possibilities of sexuality in African cultures and societies. Thereto we discuss a number of African thinkers, ranging from Archbishop Desmond Tutu to feminist theologian Mercy Oduoye, but also a range of creative and cultural expressions, such as novels, films and poetry.

Then, with my Leeds colleague Johanna Stiebert I’ve been working for the past year on a British Academy funded project for which we work with a group of Ugandan LGBT refugees based in Nairobi, Kenya. It focuses on the life stories of participants, and how biblical stories can be used to narrate and signify their experiences, struggles and hopes. The group we are working with is truly amazing – in terms of their creativity and resilience – and so is Johanna as a very inspiring colleague and collaborator. Going through the transcripts of interviews and focus group discussions brings back many wonderful memories. The creative bible studies we did, about Daniel in the lion’s den and about Jesus and the “adulterous woman”, resulted in drama plays that have been video recorded. This project is also supposed to result in a book, and the lock down gives us the time to start working on it. 

So, after the initial setback I’m now managing reasonably well. I intersperse my working hours with gardening – hooray for the goldfish that we were able to buy the weekend before the lockdown started, which make the garden pond so much livelier –, with a daily run along the canal, and checking in with friends and family nearby and far away to try and help them cope with the current situation. The reports I get from friends and colleagues in Kenya and other parts of Africa do worry me – the lockdown there has an enormous impact on people’s livelihoods. The whole situation makes me aware, again, of my own privilege and makes me reflect upon what solidarity means in these times. As much as it’s true that the virus does not discriminate, the effects of the pandemic are felt most severe by communities that are already vulnerable and marginalised. (On that note: If anyone reading this is able to offer some support to the above mentioned group of Ugandan refugees, who really struggle economically in the current crisis, please get in touch.)

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COVID-19 Lockdown Interview Series: Deryn Guest

These days, most of us will be having to live such different lives than we are used to – keeping self-isolated, working from home,juggling commitments to our family, work, and research, as well as caring for the health and wellbeing of ourselves, our friends, and our loved ones. Over the coming weeks, we’ll be asking some of our Shiloh members and supporters how they are dealing with this “new normal”way of life. We hope this helps to keep our community connected with each other, and can serve to inspire us, reassure us we’re not alone, or even distract us a little from everything else we are dealing with right now.

Our series kicks off with one of the greats of biblical studies, Deryn Guest. Deryn teaches Biblical Hermeneutics in the Department of Theology and Religion at the University of Birmingham and is a trailblazer in the areas of gender theory, queer theory, and psychological theory as these relate to the Hebrew Bible.

Co-editor of The Queer Bible Commentary (SCM, 2006), co-author of Transgender, Intersex, and Biblical Interpretation (SBL, 2016), and author of Beyond Feminist Biblical Studies (Sheffield Phoenix, 2012), all of which break new and important ground in the discipline, Deryn has published extensively on the book of Judges in particular. At present, Deryn is writing an Earth Bible Commentary (Bloomsbury) on Judges. Deryn’s is a totally distinctive voice, blending whip-smart scholarship and integrity and never compromising on either.

So, what’s up, Deryn Guest?

Gosh, even introverted home birds miss social contact. Such was my realization as the morning work schedule kicked in during week one of lockdown. I was no longer filling up my kettle at the water cooler with office staff and colleagues, chatting about moments of hilarity on the Great British Bake Off, or the over-crowded commute that morning, or, of course, the perennial topic of the weather. Bonhomie at the water cooler – a convivial, social start to the academic day.

I rely now on my usual pre-commute morning ritual: a lit candle, a steaming cup of tea, some quiet moments of contemplation. After that, I’m ready for organizing the day into varied activities that keep the body oiled as well as the mind. A couple of hours on research, break for half an hour gardening, answer emails, take exercise, create some online teaching material, skype supervisions for postgrads. And I’m bearing up well. The quietness of being at home is good for my soul. The office of choice is the garden where I am accompanied by the chatter of birds communing socially at their own water coolers based at strategic points in the garden.  When wet, I work in the kitchen where I can see the garden through the patio windows. Either function well for writing an ecological commentary on the Book of Judges, which is the current project.

Fresh in my mind as I work on the story of the abducted women in Judges 21 is the capture of the Yazidi women taken into sexual slavery against their will by ISIS soldiers, dislocated from their place of home and family. Warfare, ancient or modern, always has severe consequences for the bodies of women. Writing ecologically, I think of how the land can act as witness to atrocities; how the sacred energies of a place are desecrated; how, in Judges 21, the pulsing, whirling of girls’ feet was suddenly felt no more, leaving the earth bereft of its place in the dance.  Being in the garden, watching the birds, listening to their singing and scolding (of cats), I wonder what the sounds of the places called Shiloh and Sinjar were in usual times, what were the sounds during the abduction, and then, with sadness, I ponder the sound of the aftermath.

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Q&A with Helen Paynter

Further to the announcement of the publication of Helen Paynter’s book Telling Terror in Judges 19: Rape and Reparation for the Levite’s Wife, the second in the Routledge Focus series ‘Rape Culture, Religion and the Bible’, here is a Q&A with the author herself!

Tell us about yourself, Helen. How does your book relate to your work as a whole and how did this book come about?

I am a Baptist minister, serving in Bristol; and a tutor in biblical languages and Old Testament at Bristol Baptist College. The main areas of my research are into the interpretation of biblical violence and the ways in which the Bible is weaponised against people. I have been troubled by the dreadful story of Judges 19 for a long while, but felt dissatisfied with both the traditional commentators, which tend to write the woman’s suffering out of the text; and with many of the modern feminist interpretations, which view the text as irredeemably misogynistic. I then came across the reparative hermeneutic of Eve Sedgwick, and thought that it might provide a helpful hermeneutical lens to apply to the text. I hope my readers will agree with me that it does.

What are the key arguments of your book?

I’ve begun to outline them above. I use the work of Sedgwick, and also use affect theory and Judith Butler’s concept of grievability to try to discover the levels of communication within the narrative. I argue that the raped and murdered woman has surprising subjectivity in the narrative, and ‘speaks’ powerfully at a number of levels – in many ways she is not obliterated at all.

What do you hope your readers will take from this book?

I hope they will be disturbed by the appalling sexual violence it portrays, and the many modern situations that parallel it. And I hope that they will gain a fresh appreciation for the way that the biblical story is quite powerfully critiquing such actions. If my work should prove persuasive enough to inspire other scholars to approach other texts with the same methodology, I’ll be delighted.

Give us one quotation from the book that you think will make a reader go and read the rest.

‘Beli-Fachad is given voice in moral critique of the nation. She is, perhaps, the book of Judges’ other female prophet, or one of its only true judges.’

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A second volume in the Routledge Focus series ‘Rape Culture, Religion and the Bible’ is out today! Congratulations to Helen Paynter!

From the Routledge site…

Telling Terror in Judges 19 explores the value of performing a ‘reparative reading’ of the terror-filled story of the Levite’s pilegesh (commonly referred to as the Levite’s concubine) in Judges 19, and how such a reparative reading can be brought to bear upon elements of modern rape culture. Historically, the story has been used as a morality tale to warn young women about what constitutes appropriate behaviour. More recently, (mainly male) commentators have tended to write the woman out of the story, by making claims about its purpose and theme which bear no relation to her suffering. In response to this, feminist critics have attempted to write the woman back into the story, generally using the hermeneutics of suspicion. This book begins by surveying some of the traditional commentators, and the three great feminist commentators of the text (Bal, Exum and Trible). It then offers a reparative reading by attending to the pilegesh’s surprising prominence, her moral and marital agency, and her speaking voice. In the final chapter, there is a detailed comparison of the story with elements of modern rape culture.

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Daniel in the Homophobic Lion’s Den

Here’s a post by Shiloh Project co-director Johanna Stiebert about her second research visit to Nairobi, where she participates in a project with Ugandan LGBTQ+refugees. The project has the title “Tales of Sexuality and Faith: The Ugandan LGBT Refugees Life Story Project”and is funded by the British Academy/Leverhulme Trust. Its lead investigator is Adriaan van Klinken

The project is focused on stories: life-stories, stories of the Bible, and stories that combine the two. At its heart and centre is a group of refugees, a collective called The Nature Network. Johanna talks about the project and its intersections with Shiloh-relevant themes, such as religion and vulnerability to violence, in an earlier post. Here are some of her reflections on the project’s recent developments. 

Stories and Lives

Stories matter. In my life certainly stories and story telling have played a major part since as far back as I can remember. Growing up, I was the youngest member of a multi-generational household and even before I learned to read stories, stories were told and read to me. I loved folk stories and fairytales but I especially liked stories about me, set in the-time-before-I-could remember. I loved the stories of when I was very small, about the funny or naughty things I did. 

I demanded to hear such stories of my earliest life over and over again. I demanded details and eventually heard multiple versions, with different embellishments (and probably some exaggerations and inventions). Those stories somehow linked me to the protagonists of other stories; they made me feel important, an agent. They linked me to the past, to a bigger, world-connecting meta-story. I like stories to this day.

My academic work focuses on the study of the Bible. It was the stories that first drew me in but also the people I met through studies and teaching – and their stories. Approaches of biblical interpretation have become more honest about how our identities and experiences shape our interpretation and increasingly, life stories and Bible stories have been coming together for me.

Nairobi Stories

Adriaan has been travelling to Kenya, making friends, hearing stories, making stories, and gathering material for his publications for some years. When he and the people who move into and out from The Nature Work developed ideas around life stories and Bible stories, I was eager to get involved. By then, I had also become involved in a number of other projects, all of them relevant to the Shiloh Project, that explore the use of stories and images derived from the Bible to open up discussions about gender-based violence. Because the Bible – while variously interpreted in different settings – is a shared text, it has been an effective medium for connecting me with people whose identities, lives and experiences are very different to mine.

I have only been to Nairobi on two short visits – the second was last month, in January. My impressions of the city are a succession of little snapshots – of bustle and crazy traffic, but also of sweeping parks with leafy trees; of roadsides displaying an array of wares, from potted plants to double beds, playground items to beaded bracelets; of colourful roadside fruit and vegetable markets and little enterprises selling cut flowers or grilled corn on the cob. We drove several times through Kibera, Africa’s largest urban slum, which is highly concentrated with busy-ness – washing drying, wood being cut, tiny shops crammed together selling everything from cellphone units to clothes alteration. Sometimes, such as in the large malls, I could completely forget where I was – other times, in Kibera, or seeing grazing warthogs by the roadside, marabous perched on monuments, or monkeys on the walls of residential buildings, you knew you were definitely in Kenya.

But back to life stories. When something sharp happens in our lives, when we are, for instance, accused of something we haven’t done, then the telling of our stories becomes more carefully constructed. We choose our elements with care, so as to recount vividly and persuasively what really  happened. This also happens when we are treated unjustly in other ways – and many of the stories we heard at The Nature Network reported being accused of ‘recruiting’ minors, of being willfully deviant, of choosing depravity to dishonour family and community and religious affiliation. The life stories collected as part of this project were invariably told with vividness and fluency. The refugees were used to telling their stories – they were often telling them for survival, including as part of their efforts to secure resettlement with UNHCR. 

The stories told featured rejection, threat, violence, vulnerability, condemnation from family and community and church representatives. Sometimes there were stories of a painful past and of a present in which the story was turning towards more hope. New families were formed within The Nature Network, families not of blood ties but of ties of love and solidarity and acceptance. New religious networks were established, with prayers that bonded together and with a God who loved unconditionally – a God who created queer and whose image was therefore queer. 

The Story of a Project: Tales of Sexuality and Faith

The first stage of the project consisted of collecting life stories of refugees associated with The Nature Network. The majority of this was conducted by two members of the Network one of whom, Raymond Brian, is its co-founder. During interviewing, contributors were asked about the role and presence of religion in their lives and whether they had a favourite Bible story. Some interesting things emerged here. Many stories – from all over the Bible – were sources of inspiration. Jesus was repeatedly identified as an ally – as someone who embraced those on the fringes of society and who spoke out against condemning others. One interviewee mentioned identifying with David in the story of David and Goliath (1 Samuel 17). The reason was that the interviewee felt small and up against a Goliath of mighty and imposing challenges in day-to-day life. Like David they had little to work with – a small stone, metaphorically-speaking. But that small stone could be utilized to achieve something bigger and assert their rights and be vindicated. A second story that popped up was Daniel in the Lions’ Den (Daniel 6) – because the interviewee this time identified with the threat all around but simultaneously with a strong sense, too, that like Daniel they had done nothing to justify such threat and hostility. It was this story that seemed like a good one to draw on more.

Daniel in the Homophobic Lions’ Den

Before Adriaan and I arrived in Nairobi, the members of the Nature Network spent time reading the story of Daniel in the Lions’ Den and discussing it in groups. By the time we joined them the story was quite familiar. Now it was time to relate it to personal experience.

On 12 January we all gathered at the Network’s main venue, on the outskirts of Nairobi.

We shared breakfast and introduced ourselves and each other; we discussed expectations for the day – which ranged from the practical (to receive a refund for travel expenses) to the experiential (to learn, be entertained, and form connections and new friendships) – and rules (to respect one another and listen, and to all participate). 

Next, Chris gave a summary of the earlier meeting – where the text of the Bible was read and discussed in focus groups. A decision was made to read the text again – this time with the specific plan to try and make the story relevant to the present.

In our groups, as soon as we sat down with the biblical text, printed out on paper, to read it aloud together, a mood of seriousness descended. I think this is discernible in the pictures.

When we all got together to pool what had taken place in our groups, the discussion got very lively. We looked together at the characters and at the events of the Daniel story – who and what could these be in the present setting?

In the Daniel story there is a king, King Darius, who is somewhat sympathetic to Daniel but none the less submits to his governors who remind him of the laws. Who is this king today? Who are the governors?

Suggestions came in thick and fast: the king is the government of Uganda, or the President of Uganda. The governors are oppressive elements of African culture and pastors using the Bible to condemn, as well as members of parliament. Daniel is the LGBTQ+ community – being unjustly persecuted. The lions are maybe family members who are sometimes harmful and obstructive but not always, or enemies within the LGBTQ+ communityitself who sometimes deny their sexuality, or who choose to blackmail others when it suits them to do so. The den is identified as Kenya and as prison… Some spoke up to say they found the punishment of the governors’ wives and children wrong, others saw this as collateral damage, or as the punishment of those who didn’t speak up but benefited from their powerful family members’ privileges. 

After some discussion, a play was put together, performed and recorded. This all happened very quickly– from discussion to completion of the recording took no more than 3 hours. The idea of weaving stories together and of transporting an ancient story into the lived present was quickly embraced and vividly imagined and reenacted. There were some fabulous spontaneous ideas and there was much articulate expression both of condemnation encountered and liberation desired.

The King is the President of Uganda. (In this reenactment he has a consort.)

The governors are members of parliament and representatives of churches, as well as a mufti from an Islamic congregation. 

Daniel is a representative of the LGBTQ+ community.

The den is prison.

There are also in this reenactment members of the police force, of the press and supporters of Daniel.

God’s voice can be heard at the beginning and end.

Here is the recording, ‘Daniel in the homophobic lion’s den’. Enjoy.

It was a real joy watching the play at each of its various stages. The strength of feeling and the power of story telling really come across. There is a new immediacy and resonance to the old story of Daniel. I, certainly, will never read this story again in the same way. And when we all watched the completed recording together everyone was very engaged and delighted with the end result.

In time, we – members of the Network, Adriaan and I – hope to publish a book about the project. 

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Let Him Romance You: Rape Culture and Gender Violence in Evangelical Christian Self-Help Literature

Last year Dr Emily Colgan (Trinity Theological College, New Zealand) visited the UK and gave papers at the Universities of Leeds and Sheffield. For those who missed them, you can catch up by listening to the recording below.

Emily is an active Shiloh Project member and will be publishing a book with our project series Rape Culture, Religion and the Bible with Routledge Focus. Emily’s research on Christian self-help literature and gender-violence is published in the Christian Perspectives volume of the Rape Culture, Gender Violence, and Religion series edited by Caroline Blyth, Emily Colgan and Katie Edwards (Palgrave, 2018).

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