Today we celebrate our Routledge Focus book series. The Shiloh Project was the inspiration for the series and the series title—‘Rape Culture, Religion and the Bible’—is the same as the sub-title for the Shiloh Project.
Routledge Focus volumes are concise, no more than 50,000 words in length. Each volume In our series, consequently, is sharply focused. Each represents research-based activism on a theme within the orbit of religion and rape culture. While unified by this larger theme and purpose, the published and forthcoming volumes evidence considerable variety.
We endeavour to publish around three volumes per year. This year, two volumes appeared and a third is due out in January. (The publication of the third volume was delayed on account of its sensitive content, which had to be carefully vetted by Routledge’s legal team—more on that shortly.)
The first series volume of 2021 is by Shiloh co-director Caroline Blyth (profiled as one of our 2017 activists). The title of her volume is Rape Culture, Purity Culture, and Coercive Control in Teen Girl Bibles. Caroline examines several bibles marketed to teen girls and demonstrates how they perpetuate harmful gender stereotypes including rape myths at the heart of rape culture. It’s a searing read that will have you questioning how on earth such publications can justify their claims of helping young women grow in faith, hope and love. Caroline demonstrates the damage perpetuated by purity cultures, and systematically peels back how some teen girl bibles echo or affirm the strategies of coercively controlling parents or intimate partners. It’s brilliantly done. (To hear Caroline talk about her book in an episode of the Shiloh Podcast, see here.)
The second series volume of 2021 is Ericka Shawndricka Dunbar’s Trafficking Hadassah: Collective Trauma, Cultural Memory, and Identity in the Book of Esther and in the African Diaspora. Ericka’s book identifies the enterprise of rounding up girls from across the empire for the Persian king’s harem, as constituting sexual trafficking on a huge scale. After refuting claims that this is some light-hearted biblical story about a beauty contest, Ericka highlights parallels between sex trafficking in the book of Esther and the cultural memories, histories, and materialized pain of African(a) girls and women during the Maafa, or slave trade. The book is a powerful call, both to responsible Bible reading and to action in the face of human rights violation. (Ericka, too, is featured on the Shiloh Podcast: hear Ericka talking about her book here. For a short Q&A with Ericka, see here.)
The third volume has a publication date of 18 January 2022 and is available for pre-order now. This one is by Miryam Clough and has the title Vocation and Violence: The Church and #MeToo. Miryam’s book begins by pointing out that sexual violence is systemic in many workplace settings, including in Christian churches. From here, she focuses on how, among many other devastating consequences, this can destroy women’s careers and vocational aspirations. Because Miryam’s study draws on empirical evidence, including personal stories from survivors of clergy abuse, it required scrutiny by the Routledge legal team. The book is an intense and often painful exposition of clergy sexual abuse of adult women, the conditions that support it, and the pain left in its wake. Bringing testimony into dialogue with theoretical perspectives, the book also makes constructive suggestions for theological models that can heal a broken Church.
We are delighted with the seven published series titles and excited about the further six that are under contract and due for release over the next two years.
The volumes are making a timely and important contribution to scholarship on sexual and gender-based violence in religious texts and contexts. They are also ideal for teaching, given their compactness and their availability in affordable e-book format.
If you, or someone you know, is interested in publishing in our series, please contact series co-editor Johanna ([email protected]). Volumes for the series can be sole-authored, co-authored, or edited collections of essays. Proposals are peer-reviewed, and manuscripts must meet Routledge’s criteria for academic rigour and marketability. Routledge prides itself on a prompt production process and on being in the forefront of publishing cutting-edge research. All volumes are copy edited to a very high standard. Titles appear first in hardback and e-version and, sometimes, later, in paperback, too.
We’d love to hear from prospective contributing authors, and also, from anyone with feedback on volumes in the series, or on topics you’d like to see represented.